RHYME CHAMBER - Dynamic

Meadowlands native, Dynamic is trully a hard workin cat in the industry right now. I actually bought this album from his stand at the Back 2 da City gig. Mad huslter ryt there. Rhyme Chamber . First thing fdat struck me bout this album was the packaging. This kid went all out to make this album eye friendly, it is beutifully packaged.
I did not know exacltly watr id find by buying this album, in dat I heard never heard this dude;s music at all. I foyund out bout obn facebook a she pushing the huslte lyk real hard. Hittng me with messages n all bout this n dat. I thought, Oh well support those who r persistant. ( Like we suppoert Coca – Cola, just because they in ur face all da tym). Rhyme Chamber.
This is a load with 23 tracks which starts of with a beutifully crafted intro n follows with 4 tracksdone by Dynamic only. I would say those first 4 tracks r the low point of the album. Dynamic is really a good producer, but as for rapping he comes of short. He feautures a couple of cats on the album. The federation lend a helping hand on the track “Rapper Maniacs” n give a beat to for the track “Stand with Us” which is one of the track dats stands out.” Finally here” is one odf those boom bap trap tracks n the dilevery of the cats on this 1 is on point. Planet Universe did a beautiful job on the track “Landing on the Moon,” but u gosta get ur Vocab on check in otder to hear wat this dudes say. Oristocratic produced a nolstagic beat for the track “Fortune Cookie” n Living Proof give sound rhymes to make u think beyond the average.
A track dat is fresh in dat it sways from the rest is Choose the Bride, it aint necessarily a beautiful track but it give sdat comic tone to the album. "History in the Making" with Dark Spark is a another 1 of those u wnt b tired of listening to. The dude ‘s delivery is fresh n it sounds hungry, other tracks dat stand out are Hip Hop, Street Niggerz n a select other few. Like I said this is a Moderate album, the production n sound quality is on point, but some of the other Emcees fall short.

MAROPE REYA MAJA HIP HOP SESSION

Yeah, twas a day full of fun, joys n laughter. U wud no doubt have laughed as our Comic Emcees blast. U wud felt the joy as they rapped bout their heritage. Fun always incoporates hip hop. Marope ReYa Maja no doubt. Shit, wat beta way to encapsulate Bushbuckridge than to name a Hip Hop session after 1 of its most loved dilicacies. Yeah Nigga 4 de ppl of bushbuckridge dat shit is a dilicacy, Found no where else apart 4rm our beloved Mapulaneng place.
The 1st in the Marope Ra Maja installments was a blast. Yo, we had like six Hip Hop session’s last year. Da most number of Emcees we have had has been like 8, cum this past session n we went up to 23 Emcees. Year boy, Bushbuckridge heads came through to strut their words.
Street Beatz hailin 4rm Acornhoek came through 2 show their luv. A crew made up of 10 cats including 1 lady. dey introduced themselves with their track “we here” as the masses were flockin in. Seems we be stuck on the same ol’ bullshit of ppl cumin through late. Y is it dat we say we begin at 1pm n ppl wana b there @ 3pm n when we supposed 2 end dey say its early. Now how does 1 run a successful show when every 1 wants things 2 b done their way! Damn man! But anyhow the show went on .
All the emcess hit the stage n gave n introduction through freestyles. We had Cats from BushBuckRidge, Dwaarsloop, Mbombela, Majembeni, Casteel, Shatale. U name a Taal n I bet I wud have pulled out some1 4rm the Emcees 2 spit in dat taal. H our resident Emcee did his track “ Luv ur Hood Anthem” n the ppl were Mesmerized by his articulacy in Sepulana. Math who is part of “Street Beatz” perfomed two tracks n got the other emcees 2 pull up their socks.
The Shy but potent Slow Poison lambasted with 1 track n got mad applause. It was fulfilling to see him comin out of his cocoon. As the Grand Huslters took to the stage n battled the B-Boyz the crowd went crazy as this session was reaching a high note. It was pure luv homie all through. Vulga G did his bit on the 1 2’s but due to time most cats had to spit like 1 track. When the Comical Mr Doo took to the stage the masses were berzerk with Joy n Fun. He neva disappoints as always, whether he be on a Freestyle tip or Scriptin u bound to listen.
It was a day worth noting. The youth of Shatale showed their support for LUV UR HOOD 1 more tym. Its a simlpe concept, jst luv the place u live at n it will luv u back. With dat in mind we on a mission to bring Hip Hop to the homelands Nigga. LUV UR HOOD n Recogniz when its all Gud

Fifth Floor – Attention 2 detail (CLASSIX)

Classix r hardly found in this young Hip Hop industry in Mzantsi. Classix; da evalasting shit, da ever potent spit, tymless shit. Tymless in dat it cannot be confined to a certain era. Classix, lyk Meatloaf, classix lyk the cranberries, classix lyk Sebastian Bach.
Yeah I said it lyk Sebastian Bach. This is how this album feels. Classic Hip Hop which cannot be confined to a place or tym. This 2000000000 Album is one of S.A’s finest works.
Fifth Floor, a crew 4rm CPT gave us an album in the infant stages of our game which was overlooked by the masses. ATTENTION TO DETAIL. That tittle shud be proof enough dat it is a banger.
The album starts of with ‘Higher Learning’, a soft drum track which gives a pace for the album. With lines lyk “for knowing 4 fact, dat Jesus is black, believing he is white” we given there idea dat the album ain’t just punchlines n rhymes but thought provoking music.
‘Creation’ the only track dat had mad rotation on da radio stations, ups da pace as Koriander hits it off with a ragga influenced flow with Camo in tow. 1 cannot wanda were there dude has hid himself (Koriander), mad talent ryt there.
‘Relax’ a track by Camo n Casual T slows down the pace as they tell a story of takin it easy. They paint a picture of how beautiful life cud b if the mind cud be stress free on a sweet beat by K Nzama.
Z Mazola of Freshly Ground lends her beautiful sound to give ‘Siveni’ a mellow tone to the album. De track tells of how Africans r actually rich beings who have just been misplaced and misled into unknown territory. Mayibuye!
Praise to the feminine species is recited on ‘I adore u’ and Koriander and Fungus blast at it with ‘Cant Cool,’ with Final call n the beat.
The album aint one for the clubs or for fast paced atmosphere it needs one to pay Attention in order to feel the gravity of it. It is a collage of storytelling to simple emceeing as we see on the track ‘Celestial Mechanism’
A few tracks slack off lyk ‘How u lyk it’ n ‘Posse Cut’ which features Snaaz D and Gemini 4rm Cashless Society. 1 wud have thought it wud be 1 of the hardest tracks on the album but it sadly it falls short.
Other tracks which r worth noting have to be ‘Imbumba’ n ‘Soul Control’
The crew likes to refer to themselves as the Fifth Floor family. I have no idea how many Emcees r actually part of the crew but lyk dey say ‘de more de merrier’ as it has proven on this album.

Hip Hop is here to save the World

It’s young, its radical, its poetic, its revolutionary, it’s prophetic, its offensive…one music genre that is brutal in story telling in the form of hardcore beats, lyrics and Beethoven notes. It’s a movement that was not only started to save the world but to revive mankind from the iniquity of its own. Well, maybe it’s just here for me and Lupe Fiasco. Remember what B.I.G used to say ‘if u don’t know, now you know’.....this culture made millionaires from drug fiends; it was the same movement that turned gangsters into intellectuals and drug dealers into street presidents. When the music skipped borders and mountains from the native of American boroughs into the rest of the world we embraced it like it’s our last hope. We believed in the brutality of the story telling like it was our religion, we relate to the offensive poetry, we listened with intent to niggas calling revolutionary against poverty, racism and phoney politicians.

It was the 80’s, the street were getting crazy, politics in SA was also reaching its peak, rebellion was looming in the atmosphere; young men were sent to penitentiary for their involvement in the struggle and by then we were awaiting the release of our future black president. Hip hop was taking another form of the struggle; our street revolutionary activist like LL Cool J, Public Enemy, Run-DMC, Big Daddy Kane, NWA and TuPac were doing what Steve Biko, Kwame Nkrumah and Mangaliso Sobukwe did for Africans in the 60’s, 70’s and 80’s respectively. Kids were emancipated; we smelled freedom even before it came. Niggas were sharing with us untold-stories that were scary to share or talk about; they reminded us of the street we live in and our roles as men in the society. MC’s spat expletively against anything and anyone they didn’t understand. They called women bitches, called a black man niggas, named homosexuals faggots but we understood cuz they were speaking to us. Hip Hop music logged in a new fresh of breath into our lungs. We run intelligently wild looking for walls to paint, looking for personal space so we can turn them into production houses.

I have to honestly admit that the music has evolved from the consciousness that we are used to, to a commercial money making system. Just like our politics, technology, fashion and lifestyle the music has changed, and we changed with it. But unlike politics, religion and technology this music, this Hip Hop has a chance to save this world. It’s the music of the youth, the Y generation; I’m talking Bo- Proverb, Tumi from the V, HHP, Khuli Chan, Maggz, AKA, Mode9, 2Face, Tay Grin, Sugasmaxx, K’nann, Zubs and 9ice. These are young men with a message to share, like Martin Luther, they have a dream to tell and only if the world can listen. Its unfortunate that the world can’t see the graffiti on our walls, it can’t listen or read the poetry we write, it can’t interpret the dance moves we make, its unfortunate. The Greek philosophers like Socrates, Aristotle, Plato helped shape up the world and this culture is about to embark in that mission, where politicians failed. This is the culture that is here to revolutionise the fundamentals values of life, it is here to revive our Trust, Love, Ubuntu, Respect, Pride, our Integrity, Humility, our Intentions to live.

XO's PODCAST 2 (Nauts & Crosses)

If this is called Podcast 2, I wud figure dat ther is a podcast 1. Unfortunately I did get to hear it, oh well, m stil alive ain’t I? There’s stil chance 2 cop it. A buddy of myn recommended this, (the Jacket Shop). 2 put it simply he hustled me 2buy it. Ain’t disappointed though. This is an album/ mixtape 4rm X rate (who took center stage during the highs of Optical Ill,he not part of crew though) and Ootz a producer of note slash Emcee.
1 thing bout this album is dat it is short. As in, it plays 4 lyk 30min 4rm track 1 to de last track. Some of de illest spitters feature in this mixtape. We got Reason, Zubz is also featured, with Nthabi lending her feminine toxic spit (the poison ivy in the album). Battlekat lends his Rhymes n a classic (Battlekat) beat on the track “for the cause.”
Tracks dat really stood out are “1 Word Trigger”, “1 thing on my Mind”, “It’z a problem” and the ode to Mpefa, Motekwane, Mpange, Patje “the Khala Green.”
The Mixtape tends to b monotonous @ some point; in dat de beats n styles of flow seem to b chopped 4rn the same tree. Over all it is a gud buy, another one 4rm S.A 2 add 2 my collection. Big up 2 all those who were involved in de project.

Track Listing

INTRO – Oh my go0dness (Prod. Ootz)
SINK OR SWIM – Xo (Prod. Ootz)
THE FOURTRISS – Big C’s n Recoil (Prod. Reason and Ootz)
XO ROCKSTEADY - SKIT
ONE WORD TRIGGER – XO feat Ph n Nthabi (Prod. Ph)
SIPPIN ON (INSTRUMENTAL) (Prod. Ootz)
TIME WASTIN – X-Rate n Zubz (Prod. Battlekat)
ONE THING ON MY MIND – Ootz n Eli (Prod. Ootz)
FOR THE CAUSE – X-Rate n Battlekat (Prod. Battlekat)
JUSLIVIN (INSTRUMENTAL) (Prod. Ootz)
X RATE BAD LUCK Verse (off Nthabi’s 4rm the Lab 2 da Streets Ep) (Prod. Mr C)
THE KHALA GREEN – Greenh0use Producti0ns Feat XO, Ph, Nthabi, Killa, Reason(Prod. Madnick)
XO IN THE BUILDING – SKIT
IT’Z A PROBLEM – XO featuring Headbanger (Prod. Headbanger)

BACK TO THE CITY

They came. They came in droves n in drags. The hip hop generation. Yes, they came to da sick city of JHB 4 a celebration on another level. They were all there, the poets, biters, retired emcees, the future, punks; skaters, graff artists, b-boyz/girlz, abomrapper, pot heads, hype men, emcees, beat boxers, the illusive cipher disciples and extra fine hunnies. They came.
The 3rd annual BACK 2 THE CITY gig saw me drag my homie Khulumane along on a freezing 2sday to Newtown 2 witness S.A Hip Hop @ itz best. Shit! Did I mention dat it was freezing? Oh well, we weren’t the only 1’s who braced da cold 2 enjoy hip hop.
The gig supposedly started at 10h00 but we only made it there at bout 13h30, hoped I wud not be late but shit happens. The first thing I noticed as 1 approached the venue was baggy pants, baggy pants. Shall hip hop ever loose dat trademark? Yeah, I had made it 2 my 1st BACK 2 THE CITY gig. I felt lyk a kid who just received dat sought after present, excitement to the 3rd degree.
The cover charge was R50, we got dat settled n entered da venue. Yep, it was all there. All dat cud encompass hip hop was all there. I was awed at the amount of luv peeps got for Hip Hop considering dat it was freezing. I was caught between goin from 1 vendor, to the B-Boys stage back, to the main stage, n back 2 the vendors. I was …… (Fill in a profound synonym 4 excited).Der I was 1 moment listening to Kwesta the next I was checkin out da B-boys, the next I was witnessing da graff artists. It was a wild 1 4 me. For some reason I ended up doin wat I had intended on not doin (sippin). 4 a second I actually cursed de excitement.
I caught da homie Dynamic pushing his album de Rhyme Chamber, n not far 4rm him was R-Senic also pushin da mad hustle. Do what u gosta do homies! A few other vendors were present. Butan wear had slashed their prices to a minimum n I also came across a crew pushin a sneaker brand called Kgolelogo Sneaks. The Jacket Shop was also present n still doin his hustling straight 4rm out of da jacket. “Much respect homie, u a true hip hop ambassador.”
The Emcee stage had many rappers to please the average hip hop digger. We had peeps from CPT, Bloem, Durban, P.E, and Jozi but sadly a whole lot of other cities still did not hav representatives. A whole lot still has 2 be done in order 4 da movement 2 reach da darkest spots of our country. Harembe my ppl.
Adbus gave a wild performance with his Zulu punchlines and 4 sum reason, we seem 2 have an escalating number of emcees who b spittin hard punchline rhymes in isizulu. A certain dude with a name dat sounded lyk Mhlithi impressed the crowd with his calm, raw flow. The Federation also gave an outstanding performance. AKA hit the stage n held it down, as he gave way 2 Khulu Chana. Light showers started hitting us for short repeated intervals, but cats just stayed in da rains the emcees serenaded us with beautiful music. Talk bout luv homie!
There were 2 many performers 4 me 2 recall who did what @ what tym, but I did witness the crew Black Gold get boooed at the end of their set. Fifth floor gave a performance dat was received with much luv. I was actually surprised @ the reception dey got. Have dey bcum legends? Lee Kasumba n Siya Mkwanazi did a good job in keepen the crowd in a hype mood. As I went hither n tither I came across a few ciphers, with passionate cats battling it out, all I gots 2 say is, dnt stop dnt quit, it might be u on dat stage next year. The homie Ondeground was 1 of the homies who threw a few lines durin 1 of da ciphers. Shud he not b on da line up, homie been ‘round 4 years.
Other emcees who came through were Black Moss, Deep Soweto, KGB, Deep Level, Takeaway, Projectah, Glitz gang – I heard day also got booed – n a whole lot of others artists I did not get 2 c preform. De sound got cut off during de show while 1 of da cats was doin his set. I at 1st thawt Telkom but den realised dat de lights weren’t off. After waitin 4 lyk 15min dey managed 2 repair what had 2 b repaired. Music banged on. I got 2 hear Kenzhero do a set, the legendary DJ at his best, C-live and # of other DJ’s were also present to do their thing on the ones n twos.
Ill Skills 4rm CPT, also put on a set but 4 sum reason their performance was not audible. I have 2 say their music has a high quality but the same cud not b said bout their performance. As de nyt progressed n it got colder, we got 2 c Mr Selwyn hit da stage n he gave us a warm up with da hot 16 from Amu’s track Attention. He went on 2 perform his recent tracks with a good reception Pro Kid closed the show alongside Red Button. Ppl braced da weather 4 his performance n I hav 2 say de wait was worthwhile.
@ bout 22h45 we found ourselves havin 2 hunt 4 a cab 2 get us back 2 Germiston. All we wanted was 2 rest our cold tired bones. (Did I mention dat it was freeeeeeeezing)? I came across de emcee Substance on our way out n requested 4 a pic n had 2 explain why I needed it. Does he think I’m part of da CIA or sumthin? Gee, dnt u hav fans homie? We managed 2 get ourselves into a cab at bout 23h45. It was a quite ride home, I guez we were both in a hurry to get sum rest. It was fantabulous day with minor disappointments. Now to those who hav neva attended any of the BACK 2 THE CITY gigs. U shud fucken get ur behinds ther next year 2 b embraced by da future b4 we enter da future. I surely ain’t missin it.
Peace.

K’naan – Troubadour (Champion Edition)

First of al, I take off my hat for this Somali boy, dis is the best Hip Hop album I have listen to in a long, long time, b’live me. The Platform2’s aim nd obligation is to the transforming, building and supporting of Mzansi Hip Hop but dis time we had 2 outstretch our hand into Africa. We searched Africa nd we find a nigga in Canada, a Troubadour (medieval travelling poet and singer) from Somalia. K’naan the grandson of a poet left Somalia in times of Civil War to the native land of Canada where he resided with moms and the nigga found himself and his music. But I’m not here to tell u abt the history of this artist, u can visit Wikipedea encyclopaedia for dat, I’m here to review the album. K’naan has done justice to the Hip Hop family; he’s the God gift to Hip Hop. Troubadour is a classic album, its fresh, hip, conscious and revolutionary. He brought in the heavyweights like Mos Def, Damien Marley, Adam Levine of Maroon 5 fame and Chubb Rock but the best part is, the whole album is produced by K’naaan.

K’naan knws how 2 make agood album, rap and do the other staff dat Wayne nd Drake do. From the first track dat we knw him of ‘T.I.A’ (which means this is Africa) to the last track which is the Coca-Cola anthem for the World Cup “Wavin' Flag’ the songs r of the world class. K’naan brings the soul of Africa in every song xpecially in song ‘America’ featuring Mos Def and Chali 2na nd the original ‘Wavin flag’. In his words the rapper says ‘I got my own sound/ I don’t sound like the rest’ and yes he doesn’t sound like the rest, he holds his own on outstanding tracks like ‘I came prepared’ feat Damian Marley and ‘Bang Bang’ feat Adam Levine true hits. Well, all the songs r outstanding, I’m jus mentioning few dat r produced 4 commercial market but not diverting from the message. I seriously b’live whole-heatedly dat this is one of the dopest album and dat K’naan is in 4 the big kill, he’s fresher than the word Ayoba and doper than Mike Jones…..nd I’m glad I’m not the only one who’s raving abt this dude, the FIFA body and World Cup Organising team approached him for the remix of the Coca-Cola anthem. In 1999 K’naan was invited to speak on behalf of refugees before the United Nation High Commissioner for Refugees where he also performed a Spoken Word poem, in 2009 he performed again in the UN’s Millennium Development Goals Ceremony. He’s the son of Africa, carrying the glory of Africa around the globe. Troubadour is an album I have been looking 4 after I listed 2 Nas’s Untitled, I encourage bo - mrapper 2 get this one for keeps…u wont regret.

On his biography on Wikipedea, they say he fuses the style of Eminem together with the consciousness of Bob Marley…I can’t agree more.